Analysis Of The Book Two Of The Aeneid - 876 Words

In Roman culture, â€Å"pietas† – the parent word of our modern English â€Å"piety† – was an expansive term, vital to Roman culture, which was spattered throughout the pages of historical literature and art. Unlike our contemporary â€Å"piety†, however, Pietas refers to a much more broad and abstract devotion. Roughly translated, it means a loyalty to family and country. Or, in more direct terms, it is a sense of duty and responsibility specifically to one’s father, Roman values and customs, the Gods, and country. Pietas was commonly displayed through art, sculpture, and even literature throughout the entire length of the Roman empire, from early Republican times through late Augustan times and beyond. The architecture of Fortuna at Praeneste, for example, was a large show of pietas in Republican times. In the early Augustan period, book two of the Aeneid has blatant references to Pietas. Both of these examples together, however, embody a t horough display of political and ideological pietas through Roman history albeit in different manners. Begun in the second century BC (and renovated in 80 BC by Sulla), the Temple of Fortuna Primigenia at Praeneste was one of the most monumental pieces of architecture from the Republican period. It consisted of multiple vaulted terraces, and the citizens would have â€Å"found a ramp, narrow passages, broad terraces, colonnades, stairs, and even a rock-cut cave, before they reached the holiest part, the temple, that was cut into the rock, and dedicatedShow MoreRelatedJupiter s Aeneid : Fama And Imperium1245 Words   |  5 Pagesor in the Latin terms, fama and imperium. Through the analysis of her structure, sources, and discourse community, I will examine how Hejduk’s argument is structured and how she conveys her message through how she uses her sources, both primary and secondary, as well and see how she cites her secondary sources throughout the paper, and how she does t his to create a discussion within her academic community. Hejduk’s article â€Å"Jupiter’s Aeneid: Fama and Imperium† challenges readers of the Roman epicRead More Descent to the Underworld in the Aeneid by Virgil and the Odyssey by Homer1534 Words   |  7 Pages Descent to the Underworld in the Aeneid and the Odyssey I chose to compare the Odyssey written by the Greek poet Homer and the Aeneid by the Roman poet Virgil. I will focus my interest on Book 11 of the Odyssey and Book 6 of the Aeneid, since that is when both of the main characters make an educational visit to the underworld. 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This essay therefore does not aim to purport all of Virgil’s techniques and aims in regard to describing art in the Aeneid – a subject on which entire books have been written – rather the brevity of this essay necessitates an overview of the predominant theories, whilst attempting to shed lightRead MoreCritical Analysis Of The Aeneid1846 Words   |  8 PagesCritical Analysis of Virgils Aeneid In The Aeneid, Virgil uses many prophecies. They begin in the first few lines and last throughout the poem. Many are directed toward Aeneas, but some are to his relatives and friends. The prophecies shown allow the reader to better understand the situation and also provide insight about Rome. Prophecies are an important key to The Aeneid. Prophecies are very important to Virgil’s The Aeneid. 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